The school system possibly could be made to be exceptionally profitable, says Bob Bowdon, although exclusively at the expense of things like teachers and students. In his education documentary "The Cartel," Bowdon, a TV news reporter in New Jersey, paints a reasonably ugly impression of the institutional putridness that has resulted in pretty much incredible wastes of taxpayer money. As $400,000 is spent per classroom, but reading proficiency is alone 39% (and math at 40%), the crisis is unmistakable, which doesn't indicate it's not controversial.
At hand are two major factions in Bowdon's movie -- the villains are pretty clearly the Jersey teachers union and school board who funnel 90 cents of every dollar away from teachers' salaries and towards incidentals, including six-figure salaries for school administrators. On the other side are the supporters of charter schools -- private schools that can work outside the influence of what Bowdon calls The Cartel. In those disordered public schools, Bowdon points out, it's virtually unimaginable to fire an instructor -- so even a shoddy one has a job for life.
"'The Cartel' examines lots of individual aspects of public education, tenure, backing, support drops, subversion --meaning thieving -- vouchers and charter schools," says Bowdon. "And as such it kind of serves as a swift-moving primer on all of the red-hot topics inside the education-reform drive."
"The Cartel" first appeared on the festival circuit in summer 2009, appearing in theaters countrywide a year later. The picture has started a lot of talk, which should no doubt continue with the more-recent release of "An Inconvenient Truth" director Davis Guggenheim's own education expose, "Waiting for Superman." Bowdon says the documentaries can be seen as companion pieces: his focusing on public policy and Guggenheim's taking the human-interest angle. "My picture is the left-brained variation, more analytical," Bowdon says, "'Waiting for Superman' is more the right-brained treatment."
The left-brained tactic means arguments that observe the economics -- money misspent, opportunities wasted. Though he calls it left-brained, still "The Cartel" reaches some heartbreaking moments of emotion. The weeping face of a youthful girl who learns she was not selected for a place at a charter school makes its own strong controversy for the unsatisfactory failure of a state's education system.
And whilst it may be straightforward to acknowledge the presence of corruption in a state so associated with organized crime, the uncomfortable fact of the subject is that this is an extremely familiar condition. Any watcher will discern the failings of their own state's education system and the struggle for control. Bowdon puts his faith in the charter schools, where the taxpayer has influence over the kind and quality of instruction. But he also makes it comprehensible that those in power are going to be unwilling to give it up without a fight. - 40731
At hand are two major factions in Bowdon's movie -- the villains are pretty clearly the Jersey teachers union and school board who funnel 90 cents of every dollar away from teachers' salaries and towards incidentals, including six-figure salaries for school administrators. On the other side are the supporters of charter schools -- private schools that can work outside the influence of what Bowdon calls The Cartel. In those disordered public schools, Bowdon points out, it's virtually unimaginable to fire an instructor -- so even a shoddy one has a job for life.
"'The Cartel' examines lots of individual aspects of public education, tenure, backing, support drops, subversion --meaning thieving -- vouchers and charter schools," says Bowdon. "And as such it kind of serves as a swift-moving primer on all of the red-hot topics inside the education-reform drive."
"The Cartel" first appeared on the festival circuit in summer 2009, appearing in theaters countrywide a year later. The picture has started a lot of talk, which should no doubt continue with the more-recent release of "An Inconvenient Truth" director Davis Guggenheim's own education expose, "Waiting for Superman." Bowdon says the documentaries can be seen as companion pieces: his focusing on public policy and Guggenheim's taking the human-interest angle. "My picture is the left-brained variation, more analytical," Bowdon says, "'Waiting for Superman' is more the right-brained treatment."
The left-brained tactic means arguments that observe the economics -- money misspent, opportunities wasted. Though he calls it left-brained, still "The Cartel" reaches some heartbreaking moments of emotion. The weeping face of a youthful girl who learns she was not selected for a place at a charter school makes its own strong controversy for the unsatisfactory failure of a state's education system.
And whilst it may be straightforward to acknowledge the presence of corruption in a state so associated with organized crime, the uncomfortable fact of the subject is that this is an extremely familiar condition. Any watcher will discern the failings of their own state's education system and the struggle for control. Bowdon puts his faith in the charter schools, where the taxpayer has influence over the kind and quality of instruction. But he also makes it comprehensible that those in power are going to be unwilling to give it up without a fight. - 40731
About the Author:
Philadelphia City Paper: The Cartel Movie, what is the nation's report card? A film by Bob Bowdon.
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