Exiled is really its own thing in the world of action movies. If you've grown bored with the recent Hollywood trend of shaky cameras, incoherent action scenes and split second editing, Exiled is a breath of fresh air. If you want to see action that's clear, coherent, and carries a sort of odd, dreamlike quality, put Exiled on your movie downloads queue.
We follow a gangster who betrayed his boss years ago, and his since gotten married and had a baby. The boss sends a couple of hitmen to take him out, while at the same time, two other former members of the gang show up to protect him. This is where the movie begins.
These characters are all friends since their youth, and there's a sense of warmth and sentimentality as the five characters come to a compromise and decide to honor friendship before duty. They decide to pull off a big score to help support the hero's wife and child before settling their differences. The result is something much more personal than the usual "It's Just Business" approach to violence in gangster movies.
Johnnie To, the Hong Kong action legend, directed this film with a sense of sweetness and sentimentality and nostalgia. John Woo and Ringo Lam defined the Heroic Bloodshed genre alongside To with films like Hard Boiled and City on Fire, and To was always considered sort of the third wheel of the genre. This film, however, is much different from anything you might have seen from that era of Hong Kong action.
The movie has an odd, dreamlike quality to it. An opening gunfight has a bathroom door fly off its hinges and it twirls gracefully around the room until the firefight finally ends. Later we see a character throw a Red Bull can into the air, and the entire gunfight happens in slow motion before the can hits the ground. This is a bullet ballet.
The story is fairly confusing. You have to simply watch it for the emotional drive of the characters, because the plot line is all over the place, however, this actually helps the movie's dream like quality. Even the director has said that he didn't know exactly what was going on while directing the film, and was hoping that he would figure it out in editing. When that didn't work out, he decided that, maybe someday, it'll make sense.
The Heroic Bloodshed era of Hong Kong action flicks was certainly an incredible time for film lovers. Hard Boiled and City on Fire defined the genre, being angry, explosive films, showing independent characters taking on the masses as a symbol of Hong Kong independence against Chinese communism. Lam and Woo went to Hollywood, and you could argue the qualities of their American films. Johnnie To stayed behind and turned the genre into something entirely different.
Where the classic Heroic Bloodshed films were about anger and revenge, this one is about forgiveness and compassion, and is certainly a unique, one of a kind action film, both exciting and trance like at once. - 40731
We follow a gangster who betrayed his boss years ago, and his since gotten married and had a baby. The boss sends a couple of hitmen to take him out, while at the same time, two other former members of the gang show up to protect him. This is where the movie begins.
These characters are all friends since their youth, and there's a sense of warmth and sentimentality as the five characters come to a compromise and decide to honor friendship before duty. They decide to pull off a big score to help support the hero's wife and child before settling their differences. The result is something much more personal than the usual "It's Just Business" approach to violence in gangster movies.
Johnnie To, the Hong Kong action legend, directed this film with a sense of sweetness and sentimentality and nostalgia. John Woo and Ringo Lam defined the Heroic Bloodshed genre alongside To with films like Hard Boiled and City on Fire, and To was always considered sort of the third wheel of the genre. This film, however, is much different from anything you might have seen from that era of Hong Kong action.
The movie has an odd, dreamlike quality to it. An opening gunfight has a bathroom door fly off its hinges and it twirls gracefully around the room until the firefight finally ends. Later we see a character throw a Red Bull can into the air, and the entire gunfight happens in slow motion before the can hits the ground. This is a bullet ballet.
The story is fairly confusing. You have to simply watch it for the emotional drive of the characters, because the plot line is all over the place, however, this actually helps the movie's dream like quality. Even the director has said that he didn't know exactly what was going on while directing the film, and was hoping that he would figure it out in editing. When that didn't work out, he decided that, maybe someday, it'll make sense.
The Heroic Bloodshed era of Hong Kong action flicks was certainly an incredible time for film lovers. Hard Boiled and City on Fire defined the genre, being angry, explosive films, showing independent characters taking on the masses as a symbol of Hong Kong independence against Chinese communism. Lam and Woo went to Hollywood, and you could argue the qualities of their American films. Johnnie To stayed behind and turned the genre into something entirely different.
Where the classic Heroic Bloodshed films were about anger and revenge, this one is about forgiveness and compassion, and is certainly a unique, one of a kind action film, both exciting and trance like at once. - 40731
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